Tuesday night I had the privilege of representing AAUW Readers at a gathering of our members. Each committee and/or affinity group selects a table on which to display relevant items. I of course schlepped many books, thereby getting my day’s exercise (more like my week’s exercise!). In the course of gathering the books for display, I began a list to go with them. It’s an annotated list, something I’m usually too lazy to do, but I made it a bit easier for myself this time by cribbing shamelessly from my own previous posts in this space and, in several cases, quoting other reviewers.
Herewith, in a somewhat altered and enlarged format, are the results of my efforts, which I hope you enjoy:
The Round House by Louise Erdrich. A Native American teenager is determined to find out the truth about an unprovoked attack on his mother. By turns funny and poignant, the novel illustrates, with grace and subtlety, the process by which a boy becomes a man.
Clever Girl by Tessa Hadley. “Although this novel has its share of unanticipated twists and turns, it is not by and large highly dramatic. Hadley’s writing is not showy, but in her choice of words, she has an almost pointillist gift for precision.”
They Were Counted by Miklos Banffy, first volume in The Transylvanian Trilogy. “At 1,454 pages, ‘The Transylvanian Trilogy’ is worth every penny. Set during the last years of the Austro-Hungarian Empire, when Europe as a whole is slipping toward a cataclysmic war, it’s a saga of shortsighted politics and illicit love, of progressivism at loggerheads with entrenched interests, of servants outfoxing their masters — all kept in breathtaking balance by the power of the author’s artistry.” Dennis Drabelle in the Washington Post
The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France; and Blood Royal: A True Tale of Crime and Detection in Medieval Paris, both by Eric Jager. I thought that the history of the Middle Ages could not be made more riveting than it was in The Last Duel. And then I read Blood Royal, the story of the murder of the king of France’s brother and the ensuing investigation, and it was even better!
Glittering Images: A Journey Though Art from Egypt to Star Wars by Camille Paglia. This author is well known for stoking controversy in other fields, but art history is her vocation as well as her passion, and she writes about it with the same articulate intensity that she brings to her writing about social and political hot button issues.
The Land of Dreams by Vidar Sundstol. “This is a beautiful book. The characters are memorable and intriguing, but what has really stayed with me is Sundstøl’s remarkable evocation of a place I previously knew nothing about. In writing that is intensely lyrical, he has made Minnesota’s North Shore come alive.”
Sandrine’s Case by Thomas H. Cook. This is a thoroughly engrossing and terrifically well written courtroom drama, but “….the greatest strength of the novel lies in its exploration of one person’s mind and heart, in its depiction of what the truth really consists of, and how, once that truth stands revealed, it has the power to alter a person’s most basic assumptions about the world, about other people, and most of all, about him- or herself.”
A Fatal Inversion by Barbara Vine/Ruth Rendell. “The theme of expulsion from the garden of Eden resonates from time to time in this novel. But in the Bible, a right to be present in that blessed place is premised on the possession of an innocent and unsullied nature. Alas, none of these protagonists were possessed of such a nature. They were deeply flawed human beings, before the terrible unraveling ever began.” This bids fair to be the best novel of psychological suspense I’ve ever read.
A Dark Anatomy by Robin Blake. Set in Preston, Lancashire, in the year 1740, this novel’s chief protagonist is Titus Cragg, who serves as the town’s coroner. He is greatly helped in his endeavors by Luke Fidelis, a young physician and also a close friend. (Titus is married; Luke is not.) A Dark Anatomy is distinguished by a meticulous re-creation of a very specific time and place as well as a fully realized cast of characters. For my money, it’s the best historical mystery series debut to come along in quite some time.
Cop To Corpse by Peter Lovesey. This time, for Peter Diamond, it’s personal: while on routine patrol, Harry Tasker, a young beat cop, has been shot and killed by a sniper. Chief Superintendent Diamond must bring the full force of his investigative acumen to bear on one of the most baffling cases he’s ever encountered. ”Since its inception, with The Last Detective in 1991, the Peter Diamond series has gotten better and better….I owe many hours of great reading pleasure to Peter Lovesey. His procedurals are on a par with those of Reginald Hill and Colin Dexter.”
An Officer and a Spy by Robert Harris. A vivid retelling of France’s notorious Dreyfus Affair by a master of the historical thriller. “While finely attuned to modern resonances of surveillance, cultural identity and patriotic loyalty, Harris stays true to the atmosphere and morals of the period. He has crafted a compelling narrative of state corruption and individual principle, and a memorable whistleblower whose stubborn call can still be heard more than a century later.” Andrew Anthony in The Guardian/Observer
And for those who love Italy, as I do:
Temporary Perfections by Gianrico Carofiglio. “This is not a plot driven novel. Its richness lies in its character creation, vivid sense of place – the place being the city of Bari, in Italy’s Puglia region – and terrific writing. Temporary Perfections is the fourth in the Guido Guerrrieri series….I plan to go back and read the other Guerrieri novels. I absolutely love this book!” (I also recommend, and highly, The Silence of the Wave.)
A Venetian Affair: A True Tale of Forbidden Love in the Eighteenth Century, by Andrea di Robilant. A cache of letters found in a Venetian palazzo proves to be a treasure chest for this Italian journalist. With the aid of these precious documents, di Robilant is able to track back the history of his own family. In the process, he unearths a beautiful love story set against the grandeur and intrigue of eighteenth century Venice.
The Golden Egg, and pretty much all the Commissario Guido Brunetti novels by Donna Leon. “I very much like the use Leon makes in these novels of the third person limited point of view. It has allowed her readers over the years to attain a kind of intellectual and emotional intimacy with Guido Brunetti….Likewise, the reader gets to spend time en famille with Brunetti, Paola, and their two children, Chiara and Raffi. This is a close and devoted family. Meals are taken together, including lunch – including on weekdays – very civilized. The meals are invariably delicious; Paola is a terrific cook. The conversation at table is often both bracing and raucous.”
Poets in a Landscape by Gilbert Highet. Born in Glasgow Scotland in 1906, Gilbert Highet taught the classics at Columbia University from 1938 to 1971. During that time, his charismatic classroom presence became legendary. Poets in a Landscape is part history, part travelogue, and wholly magical. Every page is animated by Highet’s deep knowledge and love of Italy, both past and present….From start to finish, a transcendent reading experience.”
It is good for us to think of Catullus returning to his northland from enervating Asia or corrupt Rome, and, for a time, being happy in ‘relief long-sought, when the mind drops its burdens’. Yet he was a man doomed to misery. We come closer to his soul when, with a single small volume of poems (a promise of far richer possibilities unfulfilled) in our hand, we stand above the endlessly rolling waves that beat on Sirmio, and watch the olive trees, twisted into shapes like those of tormented prisoners, tossing their arms wildly in the air, and feel upon our faces the tearful violence of the restless and passionate wind.
I need to read this gorgeous book again, and soon (in Italy, perhaps…?)