[For Part One of this series of posts, click here.]
The Laughing Policeman and the other nine Martin Beck novels by Maj Sjowall and Per Wahloo (Sweden)
Here is what the Salomonsson Agency says on its website about Sjowall and Wahloo:
“If any crime novels deserve to be called modern classics, it must be the ten police procedure novels about Martin Beck and his colleagues: with them, the Swedish writer’s duo Maj Sjöwall (1935-) and Per Wahlöö (1926-1975) virtually created the modern police procedure novel, their imitators count by thousands. The Decalogue of Sjöwall-Wahlöö, written in the sixties and seventies, is nothing less than the Holy Grail of modern Scandinavian crime fiction, a chronicle of the painful creation of modern society.
Their story is poignant. Per Wahloo died of cancer in 1975 at the age of 48, when Maj Sjowall was 40. They had been together for thirteen years, sharing their lives and writing their books. Maj Sjowall is now 81, and has been coaxed out of retirement on occasion so that she might appear at certain mystery conferences to speak and to receive homage, on behalf of herself and her late partner, from appreciative readers.
This series of ten novels is sometimes referred to collectively as The Story of a Crime. In this space I’ve written about The Terrorists and The Fire Engine That Disappeared. In addition I highly recommend Roseanna (first in the series) and The Laughing Policeman.
Don’t Look Back, and Black Seconds by Karin Fossum (Norway)
The Demon of Dakar and Open Grave by Kjell Eriksson (Sweden)
Temporary Perfections by Gianrico Carofiglio (Italy)
Fossum’s star would seem to be on the rise; however, neither Eriksson nor Carofiglio have received the recognition that is their due. At least, that’s how I see it. In my own small way, in this space, I try to correct that grievous oversight.
The Waters of Eternal Youth by Donna Leon (Italy) I’ve reviewed a number of Leon’s Guido Brunetti novels in this space. I feel that with this one, her gift for evoking compassion and empathy is at its pinnacle.
The Possibility of Violence by D.A. Mishani (Israel)
The Dark Vineyard and The Patriarch by Martin Walker (France). Love this series; it just keeps getting better and better. (See the link provided at the top of this post.)
The Bookseller by Mark Pryor (France)
The Unexpected Inheritance of Inspector Chopra by Vaseem Khan (India)
This is a book to turn to when you need something on the light side. But it’s not frivolous; on the contrary, it is full of incident and vivid local color, and characters that one cares about. Here’s
Vaseem Khan‘s explanation of how he came to embark upon this series:
I first saw an elephant lumbering down the middle of the road in 1997 when I arrived in the city of Mumbai, India to work as a management consultant. It was the most unusual sight I had ever encountered and served as the inspiration behind my Baby Ganesh series of light-hearted crime novels. I was born in London in 1973, went on to gain a Bachelors degree in Accounting and Finance from the London School of Economics, before spending a decade on the subcontinent helping one of India’s premier hotel groups establish a chain of five-star environmentally friendly ‘ecotels’ around the country. I returned to the UK in 2006 and have since worked at University College London for the Department of Security and Crime Science where I am continually amazed at the way modern science is being used to tackle crime. Elephants are third on my list of passions, first and second being great literature and cricket, not always in that order.
Latest entries in two of the above series:
This novel is outstanding. I find Eriksson’s mixture of tenderness and violence (thankfully not dwelt upon) strangely compelling. But be aware: Stone Coffin, translated into English (meticulously and gracefully by Ebba Segerberg) and published here in 2016, is actually the third entry in this series and was initially published in Sweden in 2001. (The first two have yet to be translated into English, according to the entry in Stop! You’re Killing Me.) Nowhere in Stone Coffin could I find an explanation of this fact. The result was some confusion on my part. I’d already read The Princess of Burundi (#4, 2006), The Demon of Dakar (#7, 2008), Black Lies, Red Blood (#9, 2014), and Open Grave (#10, 2015). I was already following Lead Detective Ann Lindell’s progress through the adventure of motherhood! Imagine my confusion when I came upon this same character in Stone Coffin as she’s first coming to terms with being pregnant. This conundrum teased at the back of my mind throughout my reading of this otherwise wonderful book. Of course, if I’d scrutinized the copyright information at the front, I would have gotten a clue. But I didn’t do that, so the matter didn’t come clear to me until I’d finished the novel and checked Eriksson’s Stop! You’re Killing Me entry. No matter; I loved the book anyway, just as I have all the others that I’ve read so far.
There may have been a bit more in the way of legalistic jargon in this novel than was strictly necessary, but I very much enjoyed it anyway. This is largely due to the presence of Avvocato Guido Guerrieri, a character of whom I’ve become inordinately fond.
A Fine Line has recently received mention in both Deadly Pleasures Mystery Magazine and Mystery Scene Magazine:
What a fabulous novel, the fifth in this series. This Italian author writes like a dream. While telling a wonderful story, he expresses some profound truths about life, “justice” and personal character….This book transcends any form of legal thriller to become a thoroughly engaging novel on many levels. Kudos also to the translator for doing such a superb job.
Steele Curry in Deadly Pleasures Mystery Magazine, Summer/Fall 2016
Courtroom novels from outside the USA, Britain, or other English speaking jurisdictions are are rare, but one of the best such series comes from Italian author Gianrico Carofiglio, whose quirky and likable advocate Guido Guerrrieri, a lifetime boxer who has conversations with his punching bag returns in A Fine Line….The novel thoughtfully and unsparingly dramatizes dilemmas in legal ethics that cross cultural and national lines. All the books in this series are worthwhile.
Jon L. Breen in Mystery Scene, Winter 2017
I’d like to add that Carofliglio also writes standalone novels; I can recommend The Silence of the Wave.
If you’re trying to locate crime fiction in particular settings, the incredibly useful StopYoureKillingMe site is the place to go.