More on Paul Gauguin and Brittany

November 29, 2020 at 8:53 pm (Art, France)

 

….in February 1888, Gauguin returned to Pont Aven. Brittany suited his temperament. At that time, he wrote to his friend Schuffenecker:’I love Brittany. I find a wildness and a primitiveness there; when my wooden shoes ring out on its granite soil, I hear the muffled, dull, powerful note that I am looking for in my painting.’ The moors, the valleys gouged by rivers, hidden pathways, hedgerows, the old slate-roofed grey dwellings huddled in the hollows, dark forests of beech, ash and oak-all these contributed to the romantic atmosphere of the legendary landscape. A dampness in the air, a special quality in the light, revealed that the sea and its rocky coast were not far away. Gauguin found a spiritual climate here that was perfectly in tune with his desire for a simpler, more intimate form of painting. The little chapels nestled among mossy trees, the stone Calvaries and the crudely carved wooden statues became fused in his mind with other primitive forms that haunted him.

The Nabis: Bonnard, Vuillard, and Their Circle, by Claire Freches-Thory and

Antoine Terrasse 

Maybe it’s my current immersion in art, but this paragraph struck me as exceptionally beautiful.

Paul Gauguin en Bretagne

1 Comment

  1. Melanie D Millar said,

    Lovely paragraph indeed. It makes me think of Cornwall. I am an American but have spent many holidays in Cornwall.

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